Others were "Elijah in the Wilderness" (1879), "Elisha raising the Son of the Shunammite" (1881) and a design intended for the decoration of the dome of St Paul's Cathedral, "And the Sea gave up the Dead which were in it" (1892), now in the Tate Gallery, and the terrible "Rizpah" of 1893.
This closing prophecy may possibly be a later addition (so Marti) rounding off the prophetic canon by reference to the two great names of Moses and Elijah, and their characteristic activities.
The prophet Elijah must reappear to bring back the hearts of fathers and children before the great and terrible day of Yahweh come.
But we know that there were nebhiim among the Canaanites; the "prophets" of Baal appear in the history of Elijah as men who sought to attract their god by wild orgiastic rites.
The mass of the nation, of course, was always much more struck by the "signs" and predictions of the prophets than by their spiritual ideas; we see how the idea of supernatural insight and power in everyday matters dominates the popular conception of Elijah and Elisha in the books of Kings.