They often reach distinction and dignity of attitude and gesture, and occasionally, as in the "Hercules and Death," the "Electra" and the "Clytemnestra," a noble intensity of feeling.
In the Eumenides of Aeschylus" the Erinyes are reproached in that by aiding Clytemnestra, who slew her husband, " they are dishonouring and bringing to naught the pledges of Zeus and Hera, the marriage-goddess "; and these were the divinities to whom sacrifice was offered before the wedding," and it may be that some kind of mimetic representation of the " Holy Marriage," the IEpos ydpos, of Zeus and Hera formed a part of the Attic nuptial ceremonies.'
Amongst the finest of his classical pictures were - "Syracusan Bride leading Wild Beasts in Procession to the Temple of Diana" (1866), "Venus disrobing for the Bath" (1867), "Electra at the Tomb of Agamemnon," and "Helios and Rhodos" (1869), "Hercules wrestling with Death for the Body of Alcestis" (1871), "Clytemnestra" (1874), "The Daphnephoria" (1876), "Nausicaa" (1878), "An Idyll" (1881), two lovers under a spreading oak listening to the piping of a shepherd and gazing on the rich plain below; "Phryne" (1882), a nude figure standing in the sun; "Cymon and Iphigenia" (1884), "Captive Andromache" (1888), now in the Manchester Art Gallery; with the "Last Watch of Hero" (1887), "The Bath of Psyche" (1890), now in the Chantrey Bequest collection; "The Garden of the Hesperides" (1892), "Perseus and Andromeda" and "The Return of Persephone," now in the Leeds Gallery (1891); and "Clytie," his last work (1896).